#memory

A few days ago, after work, I ran home, got sweaty, got tired, got peaceful, and then took my dog for a walk through Wellons Village.

This was not an expedition.

I was not seeking danger, revelation, personal growth, or anything else that could later be packaged into a lesson. I had Solveig on the leash and nowhere in particular to be. She was in charge of navigation, which meant we were following the ancient canine transportation system of turning toward whatever smelled most promising.

This often takes us into Wellons Village.

Wellons Village has a reputation. People get shot there. Things happen there. I know this.

It is also ten minutes from my house, and Solveig knows, with the absolute certainty of a field biologist, that people in the area drop food on the ground.

So we go there.

That afternoon I was feeling remarkably good. The run home had burned off whatever static had accumulated during the workday. I was tired in the clean way. The world seemed basically acceptable.

Then Solveig found a chicken bone.

We were standing at an intersection waiting for the light to change. At the base of the crossing pole, amid the usual urban archaeology of wrappers, grit, and things a dog should probably not eat, there it was.

A chicken bone.

I was dealing with this important development when a man I had passed a minute earlier came back toward me.

I had barely registered him the first time. He had been talking to himself, or perhaps to somebody who wasn't there, or perhaps to the universe at large. In that part of town, this did not qualify as breaking news.

The closest personal connection I have to the epidemic of gun violence in the United States is not through a statistic, or a headline, or a political argument.

It is through a teacher.

His name was Steve Wolf, and from 2010 to 2011, he was my AP Environmental Science teacher at Millbrook High School in Raleigh, North Carolina. At the time, I knew him as a young, energetic, slightly eccentric teacher who made science feel connected to real life. He was serious about the subject, but not in a way that drained the room. His class had a pulse.

He was also a runner.

That mattered to me. I was a runner too, and I remember being impressed that he would go for runs during his lunch break. There was something quietly heroic about that to me as a teenager: an adult with a job, a classroom, responsibilities, and still, in the middle of the day, he made time to go outside and run. It made running seem less like a school sport and more like a lifelong form of freedom.

He also introduced me, indirectly, to Dean Karnazes.

Mr. Wolf had read Ultramarathon Man, and he told us stories from the book: Dean Karnazes turning thirty and transforming his life through running, pushing himself through absurd distances, ordering a pizza during a long run and folding it into a kind of burrito while still moving down the road. Those stories lodged somewhere in me. They had that teenage magic of being ridiculous and inspiring at the same time. They suggested that the human body was not just a machine for getting through the day, but a strange instrument capable of endurance, comedy, pain, and joy.

You don’t walk in Mesa. You squint, you scurry, you shimmer — mirage-style — from air-conditioned shade to air-conditioned shade.

But one morning, I did walk. Not just across parking lots, but through neighborhoods where the houses crouch low to the ground, like they’re bracing for something. Heat? Time? Memory?

The stucco here is the color of toasted almonds. The streets are wide — wide like they were built for tanks, not people. Yet on the margins: turquoise fences, blooming bougainvillea, and murals whispering we’ve been here a long time.

There’s adobe influence everywhere, even in new builds — though sometimes it feels more like a costume than a conviction. I stood in front of one apartment complex with faux-wooden vigas jutting out like stage props. A cactus had grown up beside them. It looked more authentic than the building.

I stopped for a raspa at a roadside stand. The owner had lived in the area since 1962. He said, “Mesa used to be sleepy. Now it just sweats louder.”

He wasn’t wrong. But there’s music in it.

You just have to slow down enough to hear it.

And if you listen closely, you’ll hear the dissonance too — a city shaped by indigenous forms and Latin rhythm, but one that once voted for a sheriff known for racial profiling and making inmates wear pink underwear. I sketched a mural of Quetzalcoatl across the street from a campaign billboard, sun-bleached and flaking. It made me wonder: can a place sing two songs at once?

Sometimes it concerns me how little I retain of the majority of books I read.

Since summer 2017, I've maintained a complete list of every book started and completed, and considering how much time has passed since then, there actually aren't very many of them to name: only 141. Of those, only about twenty of them left behind a well-cemented memory of the plot, and for the rest, only vague impressions remain at best, of sundry characters, settings, writing styles, and my own emotional reaction to the book. For the record, one of the most memorable was Blindness by José Saramago. Some books I barely recall beyond the title. Is this some type of clinical amnesia? The reason it worries me is that while reading, I am fully conscious, with almost no exception. In other words, comprehension while reading isn't the problem, but retention instead. These fugues seem strictly literary in contact, because my memories of social interactions, places visited, and decisions made during the time I read some of these "lost books" are crystal clear, or at least plastic-bottle clear.

Apparently, my brain consumes books like my body consumes food: It serves its purpose in the moment, providing mental nutritition, but then somehow my brain manages to excrete 90% of its intake through some rhetorical rectum. It would be much more satisfying to benefit from both full comprehension and recall, but how to get there isn't clear right now.